Unusual Meters - Revision history

Larry: Stav

2026-06-29T17:17:46Z

Stav

← Older revision		Revision as of 17:17, June 29, 2026
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	\| Shiru HaShir \|\| 4/4 \|\| 3/4 \|\| The second measure of the first section is in 3/4, feeling like a missing beat.		\| Shiru HaShir \|\| 4/4 \|\| 3/4 \|\| The second measure of the first section is in 3/4, feeling like a missing beat.
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			\| Stav \|\| 4/4 \|\| \|\| The first part has four phrases of four measures each; the second part is the same, except that the third phrase has only three measures. (The intro has two phrases of three measures each.)
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	\| Tikvateinu \|\| 4/4 \|\| \|\| The first part is a phrase of seven measures.		\| Tikvateinu \|\| 4/4 \|\| \|\| The first part is a phrase of seven measures.

Larry: typos

2026-06-10T03:41:18Z

typos

← Older revision		Revision as of 03:41, June 10, 2026
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	\| [[Shibolei Paz]] \|\| 2/4, 3/4, 4/4 \|\| \|\| First part counts 4-4-4-2 and repeats, secound part counts 4-4-4-3-4-4-4-2		\| [[Shibolei Paz]] \|\| 2/4, 3/4, 4/4 \|\| \|\| First part counts 4-4-4-2 and repeats, secound part counts 4-4-4-3-4-4-4-2
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	\| [[Shir HaHaflaga]] \|\| 2/4 & 3/4 \|\| \|\| Eight phrases, with counds 10-12-9-11-13-12-13-12. The ~~Dance~~ fits to this in a very complex way, see [[Shir HaHaflaga\|here.]])		\| [[Shir HaHaflaga]] \|\| 2/4 & 3/4 \|\| \|\| Eight phrases, with counds 10-12-9-11-13-12-13-12. The dance fits to this in a very complex way, see [[Shir HaHaflaga\|here.]]
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	\| Shiru HaShir \|\| 4/4 \|\| 3/4 \|\| The second measure of the first section is in 3/4, feeling like a missing beat.		\| Shiru HaShir \|\| 4/4 \|\| 3/4 \|\| The second measure of the first section is in 3/4, feeling like a missing beat.

Larry: Yedidi Ro'i Mekimi

2026-06-05T11:46:01Z

Yedidi Ro'i Mekimi

← Older revision		Revision as of 11:46, June 5, 2026
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	\| Sovev Gal Gal \|\| 12/8 (3-2-2-3-2) \|\| \|\| Could be counted as 6. Further discussion in [[Music vs Dance\|Music vs Dance.]]		\| Sovev Gal Gal \|\| 12/8 (3-2-2-3-2) \|\| \|\| Could be counted as 6. Further discussion in [[Music vs Dance\|Music vs Dance.]]
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			\| [[Yedidi Ro'i Mekimi]] \|\| 14/8 (3-3-2-2-2-2) \|\| \|\|
	\|}		\|}

Larry: Link Shibolei Paz

2025-10-31T01:13:48Z

Link Shibolei Paz

← Older revision		Revision as of 01:13, October 31, 2025
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	\| [[Ozi V'Zimrat Yah]] (Uzi) \|\| 7/4 & 6/4 \|\| \|\| First part is in 7, second part is in 6. Further discussion at [[Music vs Dance\|Music vs Dance.]]		\| [[Ozi V'Zimrat Yah]] (Uzi) \|\| 7/4 & 6/4 \|\| \|\| First part is in 7, second part is in 6. Further discussion at [[Music vs Dance\|Music vs Dance.]]
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	\| Shibolei Paz \|\| 2/4, 3/4, 4/4 \|\| \|\| First part counts 4-4-4-2 and repeats, secound part counts 4-4-4-3-4-4-4-2		\| [[Shibolei Paz]] \|\| 2/4, 3/4, 4/4 \|\| \|\| First part counts 4-4-4-2 and repeats, secound part counts 4-4-4-3-4-4-4-2
	\|-		\|-
	\| [[Shir HaHaflaga]] \|\| 2/4 & 3/4 \|\| \|\| Eight phrases, with counds 10-12-9-11-13-12-13-12. The Dance fits to this in a very complex way, see [[Shir HaHaflaga\|here.]])		\| [[Shir HaHaflaga]] \|\| 2/4 & 3/4 \|\| \|\| Eight phrases, with counds 10-12-9-11-13-12-13-12. The Dance fits to this in a very complex way, see [[Shir HaHaflaga\|here.]])

Larry: A few links

2025-09-10T20:02:56Z

A few links

← Older revision		Revision as of 20:02, September 10, 2025
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	\| Halleluya (Bitton) \|\| 7/8 (3-2-2) \|\| 4/4 \|\| First and third sections in 7/8, middle section in 4/4.		\| Halleluya (Bitton) \|\| 7/8 (3-2-2) \|\| 4/4 \|\| First and third sections in 7/8, middle section in 4/4.
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	\| ~~Halleluya~~ L'Gal \|\| 7/8 (3-2-2) \|\| \|\| The first and third part consist of phrases with five measures each.		\| [[Halleluyah L'Gal]] \|\| 7/8 (3-2-2) \|\| \|\| The first and third part consist of phrases with five measures each.
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	\| Mecholot Damar \|\| 7/8 (3-2-2) \|\| 4/4 \|\| First section in 4/4, second and third sections in 7/8.		\| Mecholot Damar \|\| 7/8 (3-2-2) \|\| 4/4 \|\| First section in 4/4, second and third sections in 7/8.
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	\| Derech Eretz HaShaked \|\| 2/3 & 2/4 \|\| \|\| First part has two phrases of 6-6-6-8, second part has phrases of 5-6-5-6 and then 6-6-6-8. The first group of 6-6-6 are made from 2/4 measures for a straight feel, the 6-6-6 in the second part is made from 3/4 measures for a waltz feel.		\| Derech Eretz HaShaked \|\| 2/3 & 2/4 \|\| \|\| First part has two phrases of 6-6-6-8, second part has phrases of 5-6-5-6 and then 6-6-6-8. The first group of 6-6-6 are made from 2/4 measures for a straight feel, the 6-6-6 in the second part is made from 3/4 measures for a waltz feel.
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	\| Dror Yikra \|\| 2/4 \|\| 3/4 \|\| First part counts 6-8, second part counts 9-6-8. The third measure of the second part is 3/4 (7-8-9 of the phrase).		\| [[Dror Yikra]] \|\| 2/4 \|\| 3/4 \|\| First part counts 6-8, second part counts 9-6-8. The third measure of the second part is 3/4 (7-8-9 of the phrase).
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	\| Eretz Israel Yafa \|\| 3/4 \|\| 4/4 \|\| Mostly in 3/4 - last phrase of the chorus ends in a measure of 4/4, giving an extra beat.		\| Eretz Israel Yafa \|\| 3/4 \|\| 4/4 \|\| Mostly in 3/4 - last phrase of the chorus ends in a measure of 4/4, giving an extra beat.
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	\| Shibolei Paz \|\| 2/4, 3/4, 4/4 \|\| \|\| First part counts 4-4-4-2 and repeats, secound part counts 4-4-4-3-4-4-4-2		\| Shibolei Paz \|\| 2/4, 3/4, 4/4 \|\| \|\| First part counts 4-4-4-2 and repeats, secound part counts 4-4-4-3-4-4-4-2
	\|-		\|-
	\| Shir HaHaflaga \|\| 2/4 & 3/4 \|\| \|\| Eight phrases, with counds 10-12-9-11-13-12-13-12. The Dance fits to this in a very complex way, see [[Shir HaHaflaga\|here.]])		\| [[Shir HaHaflaga]] \|\| 2/4 & 3/4 \|\| \|\| Eight phrases, with counds 10-12-9-11-13-12-13-12. The Dance fits to this in a very complex way, see [[Shir HaHaflaga\|here.]])
	\|-		\|-
	\| Shiru HaShir \|\| 4/4 \|\| 3/4 \|\| The second measure of the first section is in 3/4, feeling like a missing beat.		\| Shiru HaShir \|\| 4/4 \|\| 3/4 \|\| The second measure of the first section is in 3/4, feeling like a missing beat.

Larry: Yesh Lanu Ketzev

2025-06-06T01:45:17Z

Yesh Lanu Ketzev

← Older revision		Revision as of 01:45, June 6, 2025
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	\| Reiach Tapuach Odem Shani \|\| 7/8 (3-2-2) \|\| \|\|		\| Reiach Tapuach Odem Shani \|\| 7/8 (3-2-2) \|\| \|\|
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			\| Yesh Lanu Ketzev \|\| 7/8 (3-2-2) \|\| \|\|
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	\| Laz \|\| 7/8 (2-2-3) \|\| \|\|		\| Laz \|\| 7/8 (2-2-3) \|\| \|\|

Larry: Chazaka MeHaRuach

2025-05-18T03:23:59Z

Chazaka MeHaRuach

← Older revision		Revision as of 03:23, May 18, 2025
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	\| Chamsa \|\| 4/4 \|\| \|\| The first section has (appropriately) five phrases of two measures each, and the last section is a phrase of nine measures.		\| Chamsa \|\| 4/4 \|\| \|\| The first section has (appropriately) five phrases of two measures each, and the last section is a phrase of nine measures.
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			\| Chazaka MeHaRuach \|\| 4/4 \|\| \|\| Part I is simply a phrase of eight measures, repeated. Part II starts with a phrase of four measures, but instead of a simple repeat the phrase becomes nine measures.
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	\| [[Chof Shaket]] \|\| 3/4 \|\| \|\| The first section has two phrases of eight measures each, while the second section is a phrase of nine measures.		\| [[Chof Shaket]] \|\| 3/4 \|\| \|\| The first section has two phrases of eight measures each, while the second section is a phrase of nine measures.

Alpert8: /* Asymmetrical Meters */

2024-05-30T18:40:35Z

Asymmetrical Meters

← Older revision		Revision as of 18:40, May 30, 2024
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	\| Ahava Shelanu \|\| 7/8 (3-2-2) \|\| \|\|		\| Ahava Shelanu \|\| 7/8 (3-2-2) \|\| \|\|
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			\| Bachulsha Shelcha \|\| 7/8 (3-2-2) \|\| \|\| The pivots at the end of part 2 cut across measures, effectively making them 2-2-3.
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	\| Da'asa (Moshiko) \|\| 7/8 (3-2-2) \|\| \|\|		\| Da'asa (Moshiko) \|\| 7/8 (3-2-2) \|\| \|\|
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	\| Darbashiya \|\| 7/8 (3-2-2) \|\| 5/8 (3-2) \|\| The third measure of the third part is 5/8.		\| Darbashiya \|\| 7/8 (3-2-2) \|\| 5/8 (3-2) \|\| The third measure of the third part is 5/8.
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	~~\| Bachulsha Shelcha \|\| 7/8 (3-2-2) \|\| \|\| The pivots at the end of part 2 cut across measures, effectively making them 2-2-3.~~
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	\| Halleluya (Bitton) \|\| 7/8 (3-2-2) \|\| 4/4 \|\| First and third sections in 7/8, middle section in 4/4.		\| Halleluya (Bitton) \|\| 7/8 (3-2-2) \|\| 4/4 \|\| First and third sections in 7/8, middle section in 4/4.

Alpert8: /* Asymmetrical Meters */

2024-05-30T18:40:02Z

Asymmetrical Meters

← Older revision		Revision as of 18:40, May 30, 2024
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	\| Darbashiya \|\| 7/8 (3-2-2) \|\| 5/8 (3-2) \|\| The third measure of the third part is 5/8.		\| Darbashiya \|\| 7/8 (3-2-2) \|\| 5/8 (3-2) \|\| The third measure of the third part is 5/8.
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	\| Bachulsha Shelcha \|\| 7/8 (3-2-2) \|\| \|\| ~~Some step sequences~~ cut across measures, effectively making them 2-2-3.		\| Bachulsha Shelcha \|\| 7/8 (3-2-2) \|\| \|\| The pivots at the end of part 2 cut across measures, effectively making them 2-2-3.
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	\| Halleluya (Bitton) \|\| 7/8 (3-2-2) \|\| 4/4 \|\| First and third sections in 7/8, middle section in 4/4.		\| Halleluya (Bitton) \|\| 7/8 (3-2-2) \|\| 4/4 \|\| First and third sections in 7/8, middle section in 4/4.

Alpert8: /* Asymmetrical Meters */

2024-05-30T18:39:33Z

Asymmetrical Meters

← Older revision		Revision as of 18:39, May 30, 2024
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	\| Darbashiya \|\| 7/8 (3-2-2) \|\| 5/8 (3-2) \|\| The third measure of the third part is 5/8.		\| Darbashiya \|\| 7/8 (3-2-2) \|\| 5/8 (3-2) \|\| The third measure of the third part is 5/8.
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			\| Bachulsha Shelcha \|\| 7/8 (3-2-2) \|\| \|\| Some step sequences cut across measures, effectively making them 2-2-3.
	\|-		\|-
	\| Halleluya (Bitton) \|\| 7/8 (3-2-2) \|\| 4/4 \|\| First and third sections in 7/8, middle section in 4/4.		\| Halleluya (Bitton) \|\| 7/8 (3-2-2) \|\| 4/4 \|\| First and third sections in 7/8, middle section in 4/4.