HaReshut - Revision history

Larry: Dancelists: Problem Solver Dances

2025-09-11T01:15:13Z

Dancelists: Problem Solver Dances

← Older revision		Revision as of 01:15, September 11, 2025
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	{{Rokdim\|5abd23b1db5332cb348b4f03\|7818}}		{{Rokdim\|5abd23b1db5332cb348b4f03\|7818}}

	{{Dancelists\|[[Dances from the Diwan]]{{·}} [["Double" dances]]{{·}} [[Unusual Meters]]}}		{{Dancelists\|[[Dances from the Diwan]] {{·}}  [["Double" dances]] {{·}}  [[Problem Solver Dances]]{{·}}  [[Unusual Meters]]}}

	[[Category:Dances]]		[[Category:Dances]]

Alpert8 at 05:14, July 24, 2023

2023-07-24T05:14:19Z

← Older revision		Revision as of 05:14, July 24, 2023
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	to L, repeated ten times. Though the step is trivial, a section with a		to L, repeated ten times. Though the step is trivial, a section with a
	count of ten is by itself [[Unusual Meters \| unusual]]. However, the rest		count of ten is by itself [[Unusual Meters \| unusual]]. However, the rest
	of the dance is done on the right foot, requiring fudge steps in the penultimate and final sections to free the left and then the right foot. Some dancers avoid these fudge steps by ~~stepping~~ R to R and crossing L in front of R to the R. The origin of this left vs. right disagreement is that HaReshut was originally choreographed for the stage, and in the performance version, half the dancers opened to the right, while the other half opened to the left. When those performers adapted it for recreational purposes, each one taught it as s/he had performed it, leading to the discrepancy. On this question, Yaron Meishar of [http://www.rokdim.co.il Rokdim] spoke with one of the performers, who commented ~~as follows~~:		of the dance is done on the right foot, requiring fudge steps in the penultimate and final sections to free the left and then the right foot. Some dancers avoid these fudge steps by doing the final part as a step R to R and crossing L in front of R to the R. The origin of this left vs. right disagreement is that HaReshut was originally choreographed for the stage, and in the performance version, half the dancers opened to the right, while the other half opened to the left. When those performers adapted it for recreational purposes, each one taught it as s/he had performed it, insisting that her/his was the "correct" direction, and leading to the discrepancy. On this question, Yaron Meishar of [http://www.rokdim.co.il Rokdim] spoke with one of the performers, who commented:
	<blockquote><div style="direction:rtl;text-align:justify;">		<blockquote><div style="direction:rtl;text-align:justify;">
	התקשרתי לצבי הילמן (טאצ'ו) שהוא קצת יותר ותיק ממני ושאלתיו.		התקשרתי לצבי הילמן (טאצ'ו) שהוא קצת יותר ותיק ממני ושאלתיו.

Alpert8 at 05:12, July 24, 2023

2023-07-24T05:12:39Z

← Older revision		Revision as of 05:12, July 24, 2023
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	This dance seems divinely created for teaching the Yemenite step; the first part consists entirely of eight Yemenites. The subsequent parts are also extremely easy, yielding an ideal beginners' dance.		This dance seems divinely created for teaching the Yemenite step; the first part consists entirely of eight Yemenites. The subsequent parts are also extremely easy, yielding an ideal beginners' dance.

	The only trick comes in the final part~~: Step~~ L to L, cross R in front of L		The only trick comes in the final part. Some dancers step L to L, cross R in front of L
	to L, repeated ten times. Though the step is trivial, a section with a		to L, repeated ten times. Though the step is trivial, a section with a
	count of ten is by itself [[Unusual Meters \| unusual]]. ~~But more: Since~~ the rest		count of ten is by itself [[Unusual Meters \| unusual]]. However, the rest
	of the dance is done on the right foot, the penultimate ~~section~~		of the dance is done on the right foot, requiring fudge steps in the penultimate and final sections to free the left and then the right foot. Some dancers avoid these fudge steps by stepping R to R and crossing L in front of R to the R. The origin of this left vs. right disagreement is that HaReshut was originally choreographed for the stage, and in the performance version, half the dancers opened to the right, while the other half opened to the left. When those performers adapted it for recreational purposes, each one taught it as s/he had performed it, leading to the discrepancy. On this question, Yaron Meishar of [http://www.rokdim.co.il Rokdim] spoke with one of the performers, who commented as follows:
	~~ends with a fudge~~ to free up the left ~~foot,~~ and ~~the final section ends~~
	~~with a fudge to return to~~ the right foot.

	~~The dance would be even simpler~~
	~~if the final part were done to the right, eliminating the fudges: Step~~ R
	to R~~, cross~~ L in front of R to R~~. And indeed, the dance is done this way in~~
	~~many places in the USA, generally on the east coast~~. The origin of this disagreement is that HaReshut was originally choreographed for the stage, and in the performance version, half the dancers opened to the right, while the other half opened to the left. When those performers adapted it for recreational purposes, each one taught it as s/he had performed it, leading to the discrepancy. On ~~the~~ question ~~of left vs. right~~, Yaron Meishar of [http://www.rokdim.co.il Rokdim] spoke with one of the performers, who commented as follows:
	<blockquote><div style="direction:rtl;text-align:justify;">		<blockquote><div style="direction:rtl;text-align:justify;">
	התקשרתי לצבי הילמן (טאצ'ו) שהוא קצת יותר ותיק ממני ושאלתיו.		התקשרתי לצבי הילמן (טאצ'ו) שהוא קצת יותר ותיק ממני ושאלתיו.

Alpert8 at 05:09, July 24, 2023

2023-07-24T05:09:06Z

← Older revision		Revision as of 05:09, July 24, 2023
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	if the final part were done to the right, eliminating the fudges: Step R		if the final part were done to the right, eliminating the fudges: Step R
	to R, cross L in front of R to R. And indeed, the dance is done this way in		to R, cross L in front of R to R. And indeed, the dance is done this way in
	many places in the USA, generally on the east coast. ~~It seems certain~~ that ~~this~~		many places in the USA, generally on the east coast. The origin of this disagreement is that HaReshut was originally choreographed for the stage, and in the performance version, half the dancers opened to the right, while the other half opened to the left. When those performers adapted it for recreational purposes, each one taught it as s/he had performed it, leading to the discrepancy. On the question of left vs. right, Yaron Meishar of [http://www.rokdim.co.il Rokdim] spoke with one of the performers, who commented as follows:
	~~change~~ was ~~either a misremembered step or a deliberate simplification by a local~~
	~~teacher~~, ~~rather than a change by~~ the ~~choreographer~~ as ~~in [[Ahavat Chayai]]~~.

	On the question of left vs. right, Yaron Meishar of [http://www.rokdim.co.il Rokdim] ~~comments~~:
	<blockquote><div style="direction:rtl;text-align:justify;">		<blockquote><div style="direction:rtl;text-align:justify;">
	התקשרתי לצבי הילמן (טאצ'ו) שהוא קצת יותר ותיק ממני ושאלתיו.		התקשרתי לצבי הילמן (טאצ'ו) שהוא קצת יותר ותיק ממני ושאלתיו.

Larry: Finish work of previous edit: eschew part numbers

2022-09-13T01:43:31Z

Finish work of previous edit: eschew part numbers

← Older revision		Revision as of 01:43, September 13, 2022
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	to L, repeated ten times. Though the step is trivial, a section with a		to L, repeated ten times. Though the step is trivial, a section with a
	count of ten is by itself [[Unusual Meters \| unusual]]. But more: Since the rest		count of ten is by itself [[Unusual Meters \| unusual]]. But more: Since the rest
	of the dance is done on the right foot, the ~~third~~ section		of the dance is done on the right foot, the penultimate section
	ends with a fudge to free up the left foot, and the ~~fourth~~ section ends		ends with a fudge to free up the left foot, and the final section ends
	with a fudge to return to the right foot.		with a fudge to return to the right foot.

Larry: Don't use part numbers to avoid confusion with Meishar's quote

2022-09-13T01:41:11Z

Don't use part numbers to avoid confusion with Meishar's quote

← Older revision		Revision as of 01:41, September 13, 2022
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	Some sources, including videos and album covers, list Sara Levi-Tanai as the choreographer. It is widely agreed that this attribution is spurious. Levi-Tanai may (or may not) have created a dance to this music, but it would date from much later and could be a stage choreography for [[Inbal]].		Some sources, including videos and album covers, list Sara Levi-Tanai as the choreographer. It is widely agreed that this attribution is spurious. Levi-Tanai may (or may not) have created a dance to this music, but it would date from much later and could be a stage choreography for [[Inbal]].

	This dance seems divinely created for teaching the Yemenite step; the first part consists entirely of eight Yemenites. The subsequent ~~three~~ parts are also extremely easy, yielding an ideal beginners' dance.		This dance seems divinely created for teaching the Yemenite step; the first part consists entirely of eight Yemenites. The subsequent parts are also extremely easy, yielding an ideal beginners' dance.

	The only trick comes in the ~~fourth~~ part: Step L to L, cross R in front of L		The only trick comes in the final part: Step L to L, cross R in front of L
	to L, repeated ten times. Though the step is trivial, a section with a		to L, repeated ten times. Though the step is trivial, a section with a
	count of ten is by itself [[Unusual Meters \| unusual]]. But more: Since the rest		count of ten is by itself [[Unusual Meters \| unusual]]. But more: Since the rest
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	The dance would be even simpler		The dance would be even simpler
	if the ~~fourth~~ part were done to the right, eliminating the fudges: Step R		if the final part were done to the right, eliminating the fudges: Step R
	to R, cross L in front of R to R. And indeed, the dance is done this way in		to R, cross L in front of R to R. And indeed, the dance is done this way in
	many places in the USA, generally on the east coast. It seems certain that this		many places in the USA, generally on the east coast. It seems certain that this

Foxbytes at 23:16, March 13, 2022

2022-03-13T23:16:29Z

← Older revision		Revision as of 23:16, March 13, 2022
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	Hebrew: הרשות, "Permission". Circle dance by Margolit Oved, 1957.		Hebrew: הרשות, "Permission". Circle dance by Margolit Oved, 1957.
	(Moshiko's partner dance of the same name is done to a faster version of the music.)		(Moshiko's partner dance of the same name is done to a faster version of the music.) NOTE: When Margolit taught Hareshut in her classes at UCLA she did not use a recording and always sang the songs herself. She did so much faster than the "typical" recording, about the same speed as that used for Moshiko's partner dance.

	Some sources, including videos and album covers, list Sara Levi-Tanai as the choreographer. It is widely agreed that this attribution is spurious. Levi-Tanai may (or may not) have created a dance to this music, but it would date from much later and could be a stage choreography for [[Inbal]].		Some sources, including videos and album covers, list Sara Levi-Tanai as the choreographer. It is widely agreed that this attribution is spurious. Levi-Tanai may (or may not) have created a dance to this music, but it would date from much later and could be a stage choreography for [[Inbal]].

Larry: Move "click for translation" link to the left

2021-05-29T17:47:05Z

Move "click for translation" link to the left

← Older revision		Revision as of 17:47, May 29, 2021
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	מבחינת הגיון התנועה, כפי שאני מבין אותו, 2 חלקי הריקוד מתחילים בימין. על מנת לעבור לחלק השלישי יש לעשות משהו "לא טבעי" (שאני גם מדגיש אותו בהדרכה בצילום), והדבר ההגיוני ביותר היה לנוע ימינה ברגל ימין כששמאל משכלת לפניה. אבל מה לעשות ולא כך רצתה מרגלית.		מבחינת הגיון התנועה, כפי שאני מבין אותו, 2 חלקי הריקוד מתחילים בימין. על מנת לעבור לחלק השלישי יש לעשות משהו "לא טבעי" (שאני גם מדגיש אותו בהדרכה בצילום), והדבר ההגיוני ביותר היה לנוע ימינה ברגל ימין כששמאל משכלת לפניה. אבל מה לעשות ולא כך רצתה מרגלית.
	</div></blockquote>		</div></blockquote>
	<div class="mw-customtoggle-translation" style="text-align:~~right~~;">(Click here for translation)</div>		<div class="mw-customtoggle-translation" style="text-align:left;">(Click here for translation)</div>
	<div class="mw-collapsible mw-collapsed" id="mw-customcollapsible-translation">		<div class="mw-collapsible mw-collapsed" id="mw-customcollapsible-translation">
	<blockquote>I called Zvi Hillman (Tacho), who is slightly older than me, and asked him.		<blockquote>I called Zvi Hillman (Tacho), who is slightly older than me, and asked him.

Larry: Dot spacing

2020-01-31T02:27:23Z

Dot spacing

← Older revision		Revision as of 02:27, January 31, 2020
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	{{Rokdim\|5abd23b1db5332cb348b4f03\|7818}}		{{Rokdim\|5abd23b1db5332cb348b4f03\|7818}}

	{{Dancelists\|[[Dances from the Diwan]] {{·}} [["Double" dances]] {{·}} [[Unusual Meters]]}}		{{Dancelists\|[[Dances from the Diwan]]{{·}} [["Double" dances]]{{·}} [[Unusual Meters]]}}

	[[Category:Dances]]		[[Category:Dances]]

Larry: Add list, link to Diwan file

2020-01-31T02:26:28Z

Add list, link to Diwan file

← Older revision		Revision as of 02:26, January 31, 2020
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	Although the typically-used recordings of HaReshut are instrumental,		Although the typically-used recordings of HaReshut are instrumental,
	it does have lyrics; they are drawn from the song Sapari in the [[Diwan]].		it does have lyrics; they are drawn from the song Sapari in the [[Diwan]].
	(Many dances use the words to this song.)		(Many dances use the words to this song.) The page with these lyrics is [[Media:Diwan-p-500.jpeg\|here]]; look for the line starting הרשות באמת נתונה.

	{{AussieDance\|6736}}		{{AussieDance\|6736}}
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	{{Rokdim\|5abd23b1db5332cb348b4f03\|7818}}		{{Rokdim\|5abd23b1db5332cb348b4f03\|7818}}

	{{Dancelists\|[["Double" dances]] {{·}} [[Unusual Meters]]}}		{{Dancelists\|[[Dances from the Diwan]] {{·}} [["Double" dances]] {{·}} [[Unusual Meters]]}}

	[[Category:Dances]]		[[Category:Dances]]